
Audio-Technica
The standard recommendation for a first deck
Widely recommended entry models
Built-in switchable phono preamp
USB output on several models
Replaceable cartridge for later upgrades
Very wide retail availability
Compare drive type, cartridge quality and built-in preamps

The standard recommendation for a first deck
Widely recommended entry models
Built-in switchable phono preamp
USB output on several models
Replaceable cartridge for later upgrades
Very wide retail availability
Minimalist engineering focused on sound
Lightweight plinth and rigid tonearm design
Minimal features, focused on playback quality
Strong upgrade path within the range
Hand-built in the UK
No built-in preamp on most models
Broad range from entry to audiophile
Very wide range across price points
Carbon fibre tonearms on several models
Optional built-in preamp and Bluetooth
Made in Europe
Good upgrade ladder
Strong value with solid wood plinths
Solid wood plinths at accessible prices
Ortofon cartridges on several models
Built-in preamp options
Auto-stop function
Good value against European rivals
Direct drive engineering with DJ heritage
Direct drive with high torque
Long-standing DJ and studio reputation
Robust build quality
Pitch control on several models
Premium pricing| Product | ![]() Audio-Technica 9.6 | ![]() Rega 9.1 | ![]() Pro-Ject 8.5 | ![]() Fluance 8.0 | ![]() Technics 7.4 |
|---|---|---|---|---|---|
| Highlights | Widely recommended entry models · Built-in switchable phono preamp · USB output on several models · Replaceable cartridge for later upgrades · Very wide retail availability | Lightweight plinth and rigid tonearm design · Minimal features, focused on playback quality · Strong upgrade path within the range · Hand-built in the UK · No built-in preamp on most models | Very wide range across price points · Carbon fibre tonearms on several models · Optional built-in preamp and Bluetooth · Made in Europe · Good upgrade ladder | Solid wood plinths at accessible prices · Ortofon cartridges on several models · Built-in preamp options · Auto-stop function · Good value against European rivals | Direct drive with high torque · Long-standing DJ and studio reputation · Robust build quality · Pitch control on several models · Premium pricing |
Editorially scored by our research team.
Every score out of 10 is assigned by our editors from published pricing, features, fees, coverage and support terms — not from user-submitted reviews. Scores are our own opinion and change as products change. Read our full methodology.
Audio-Technica is our top-scoring pick in Turntables, at 9.6/10 — it highlights “Widely recommended entry models”.
Rega scores 9.1 and is the one to compare against it — it highlights “Lightweight plinth and rigid tonearm design”.
Both scores are our editors’ assessment of published specifications, pricing and terms against the criteria in our rating methodology — they are not aggregated customer reviews.
This is the point that catches most first-time buyers. A turntable's output is far quieter than any other source and needs specific equalisation, so it must pass through a phono preamp before an ordinary amplifier input.
That preamp lives in one of three places: built into the turntable, built into your amplifier as a "phono" input, or as a separate box. Many modern amplifiers and almost all Bluetooth speakers have none.
A turntable with a built-in switchable preamp is the simplest starting point — it plugs into any line input, and you can switch it off later if you upgrade to a better external one. Check that the switch exists rather than assuming.
Belt drive isolates the platter from motor vibration via a rubber belt, which generally produces a quieter background at a given price. The belt is a consumable and stretches over years, and speed changes are sometimes manual.
Direct drive couples the motor to the platter. It reaches speed instantly, holds pitch precisely, and is what DJs use. Modern direct drive decks isolate motor noise well.
For home listening, belt drive dominates the budget-to-mid market and either is fine. Choose direct drive if you want instant start, pitch control, or plan to mix.
The cartridge and stylus are what actually read the groove, and they influence sound more than almost anything else on the deck.
The critical question when buying is whether the cartridge is replaceable on a standard mount. Decks with a proprietary or permanently fixed cartridge cannot be upgraded and cannot be repaired when the stylus wears — which it will.
Styli wear out. A typical stylus is rated for several hundred to around a thousand hours, and a worn one does not merely sound dull — it damages records permanently. Budget for replacement as a running cost.
Very inexpensive all-in-one suitcase players are the most common first purchase and the most common regret. Two specific problems: they typically use a ceramic cartridge tracking at very high force, which wears records quickly; and they have no adjustable tonearm, so tracking force and anti-skate cannot be set correctly.
If your records matter to you, a basic deck with a proper magnetic cartridge and an adjustable tonearm is a different class of product for not much more.
USB output for digitising records is genuinely useful if you have rare vinyl. The quality depends on the cartridge and the built-in converter, so treat it as archiving rather than audiophile transfer.
Bluetooth output is convenient and adds compression and latency. It is a reasonable feature to have and a poor reason to choose a deck.
A turntable that has not been set up correctly will sound worse than a cheaper one that has, and will damage records.
Three adjustments matter. Tracking force must be set with the counterweight to the cartridge manufacturer's specification — too light causes mistracking and groove damage, too heavy causes wear. Anti-skate should generally match the tracking force. And the deck must be level, checked with a spirit level on the platter.
Many decks arrive largely pre-set, which is worth looking for if you do not want to do this. An inexpensive stylus force gauge removes the guesswork.
Turntables are microphones for vibration. Placed on the same surface as your speakers, bass will feed back into the stylus and muddy everything.
Put the deck on a separate, rigid, level surface away from the speakers, ideally on a wall shelf if you have suspended floors. This costs nothing and does more for sound quality than most upgrades.
Specifications, cartridge compatibility and included accessories vary by model. Confirm whether a phono stage is included and whether the cartridge is replaceable before purchase.